Documents Lost Films as Philosophical Fiction Anne-Françoise Schmid “To make a film, one must be able to move the light source, something the philosopher is incapable of doing”
Documents Gesture as Playlist Franziska Aigner “The dancing master possesses the secret of the artificial nature of gracious corporeality, the knowledge of the art of concealing art”
Documents Image-Force: In Conversation with Amanda Beech Amanda Beech “If liberalism is intrinsically violent, then how does this problematise our perception of the art world as a free space for expression?”
Publications Simulation, Exercise, Operations Robin Mackay (ed) “At the convergence of violence and control, spectatorship, and universality, the human body and its integration into a global machine”
Publications Final Machine Amanda Beech “We’ll start with this introductory course. First I’ll place the notion, then I’ll examine its function.”
Publications Sanity Assassin Amanda Beech “Psychological, private and claustrophobic, a withdrawing from the world in hubris. This almost reactionary withdrawal, segmentation of space and privacy is strangely comparable to the work of Critical Theory”
