EXCERPT I’d like to contextualise the matters we’re addressing in relation to a couple of issues I’ve been working with within Cinema or Postcinema Studies, namely the relation between the still and the moving image, and what kind of questions this opens up. The relationship between images has changed as a consequence of being challenged by a range of new media and technologies. In my last two books, The Still/Moving Image and in particular Between Stillness and Motion I tried to map this field, which I call the still/moving field…